#Simpsons classic episodes series
The episode disgusts the show’s fans and Poochie is written out of the series when he is revealed to be an alien (a handwritten frame reads: “Note: Poochie died on the way back to his home planet”). In the end they settle on a streetwise dog named Poochie, voiced by Homer (meanwhile the Simpsons gain a Poochie-alike houseguest named Roy). In this delightfully self-referential episode, the producers of The Itchy and Scratchy Show attempt to revitalise its flagging ratings with the introduction of a new character (Krusty: “Whaddya got in mind? Sexy broad? Gangster octopus?”). Homer: "Oh, sure, give me the one with all the monsters." 19. Exploring themes of marriage and alcohol abuse, the episode also manages to squeeze in a Springfield rendition of “Short Shorts” But the very best thing of all? Johnny Cash voices the coyote. Luckily, by the end of the episode, Homer realises that Marge was his soulmate all along. He meets his spirit guide – a coyote – who urges him to find his true soulmate. We were there to discuss the misprinted calendars the school had purchased.”Īfter arguing with Marge and downing several “Guatemalan insanity peppers” at a chilli cook-off, Homer undergoes a hallucinogenic spiritual journey (partly inspired by the writings of Carlos Castaneda). Nineties gamers will also appreciate a rather nice nod to the library from Myst.īest line: Marge : “It all started on the 13th hour, of the 13th day, of the 13th month. The last of those, Homer3, sees Homer enter a mysterious “third dimension”, where the creators get to play with 3D animation and indulge in some self-referential fun.
Treehouse of Horror VIĪn imaginative Treehouse of Horror episode, whose three separate stories take inspiration from Attack of the Fifty Foot Woman, Nightmare on Elm Street and The Twilight Zone. But who fired the shot that felled him?īest line: Mr Burns: “Since the beginning of time, man has yearned to destroy the sun.” 15. When oil is discovered underneath Springfield Elementary School, Mr Burns sets up a slant-drilling operation to siphon it away, provoking the ire of his fellow townspeople. Who Shot Mr Burns, part 1Ī true televisual event – Fox ran a phone contest for people trying to guess the identity of Mr Burns’ assailant – as well as a sterling episode in its own right. But if they show up in the morgue, he's gonna fax us.” 14. So let's turn it on!" "Now, this technology is new to me, but I'm pretty sure that's Homer Simpson in the oven, rotating slowly." "His body temperature has risen to over 400 degrees – he's literally stewing in his own juices."īest line: Flanders: “Look, I called the police captain in Shelbyville and he said he hadn't seen them.
#Simpsons classic episodes movie
It's a sharp satire on media-led witch-hunts, with protesters gathering outside the Simpson home – “2-4-6-8, Homer's crime was very great! Great meaning large or immense! We use it in the pejorative sense!” The made-for-TV movie of Homer's crime ("Homer S: Portrait Of An Ass-Grabber") is a particular treat.īest line: Kent Brockman: "Of course, there's no way to see into the Simpson home without some kind of infrared heat-sensitive camera. Homer is accused of sexual harassment when he attempts to retrieve a gummy bear in the shape of the Venus de Milo from his feminist babysitter's bottom. Mindy: "Well, desserts aren't always right." Homer: "Oh yeah, like you don't know! We're gonna have sex." This parody of Cape Fear might just be Sideshow Bob’s finest hour: writing in blood both death threats and letters to the Readers Digest convincing his parole hearing that his “Die, Bart, Die” tattoo is simply the German for “The, Bart, The” being hit in the face by rake after rake after rake before eventually performing Gilbert and Sullivan’s HMS Pinafore with a mop on his head.īest line: Juror: “No one who speaks German could be an evil man.” It was the title of our second album." 7. Lisa: "I can’t believe you’re not still popular."īart: "What’d you do? Screw up like The Beatles and say you were bigger than Jesus?" Even by Simpsons' standards, it's ridiculously layered and on the 15th watch you can still spot things you'd missed.
The story of the Beatles-esque rise and fall of Homer’s barbershop quartet is sweetly told, features great songs (most notably Baby on Board), countless cultural references and a perfect ending.
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